RIP Dave Brubeck

Damn.
Take five, Dave. You’ve earned it.

From Fox News.

Jazz composer and pianist Dave Brubeck, whose pioneering style in pieces such as “Take Five” caught listeners’ ears with exotic, challenging rhythms, has died. He was 91.

Brubeck died Wednesday morning of heart failure after being stricken while on his way to a cardiology appointment with his son Darius, said his manager Russell Gloyd. Brubeck would have turned 92 on Thursday.

Brubeck had a career that spanned almost all American jazz since World War II. He formed The Dave Brubeck Quartet in 1951 and was the first modern jazz musician to be pictured on the cover of Time magazine — on Nov. 8, 1954 — and he helped define the swinging, smoky rhythms of 1950s and ’60s club jazz.

The seminal album “Time Out,” released by the quartet in 1959, was the first ever million-selling jazz LP, and is still among the best-selling jazz albums of all time. It opens with “Blue Rondo a la Turk” in 9/8 time — nine beats to the measure instead of the customary two, three or four beats.

A piano-and-saxophone whirlwind based loosely on a Mozart piece, “Blue Rondo” eventually intercuts between Brubeck’s piano and a more traditional 4/4 jazz rhythm.

The album also features “Take Five” — in 5/4 time — which became the Quartet’s signature theme and even made the Billboard singles chart in 1961. It was composed by Brubeck’s longtime saxophonist, Paul Desmond.

“When you start out with goals — mine were to play polytonally and polyrhythmically — you never exhaust that,” Brubeck told The Associated Press in 1995. “I started doing that in the 1940s. It’s still a challenge to discover what can be done with just those two elements.”

After service in World War II and study at Mills College in Oakland, Calif., Brubeck formed an octet including Desmond on alto sax and Dave van Kreidt on tenor, Cal Tjader on drums and Bill Smith on clarinet. The group played Brubeck originals and standards by other composers, including some early experimentation in unusual time signatures. Their groundbreaking album “Dave Brubeck Octet” was recorded in 1946.

The group evolved into the Quartet, which played colleges and universities. The Quartet’s first album, “Jazz at Oberlin,” was recorded live at Oberlin College in Ohio in 1953.

Ten years later, Joe Morello on drums and Eugene Wright on bass joined with Brubeck and Desmond to produce “Time Out.”

His unique polytonally and polyrhythmically tunes came from what he heard in his head as he rode horses:

Brubeck was always fascinated by the rhythms of everyday life. In a discussion with biographer Doug Ramsey, he recalled the rhythms he heard while working as a boy on cattle drives at the northern California ranch managed by his father.

The first time he heard polyrhythms — the use of two rhythms at the same time — was on horseback.

“The gait was usually a fast walk, maybe a trot,” he said. “And I would sing against that constant gait of the horse. … There was nothing to do but think, and I’d improvise melodies and rhythms.”

Take Five:

 

Blue Rondo A La Turk:

 

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